![]() ![]() La La Land is bright, it’s buoyant, and it’s big, like the grandest of the MGM musicals that dominated 1950s screens, shot on the soundstages that still stand like hallowed cathedrals to cinephiles across the city. ![]() Later, its two lovers swoon cheek-to-cheek inside L.A.’s Griffith Observatory, gliding into the starry night like Fred and Ginger. Damien Chazelle’s La La Land, the old-fashioned musical charming its way to the Oscars, opens on the most Los Angeles of modern Los Angeles showstoppers imaginable: A traffic jam on the 110 freeway turns into a symphony of strangers dancing out of their cars in perfect syncopation, crooning about their lofty dreams with the same unadulterated optimism, flashing a whole lot of jazz hands.
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